Writer Beatrice Marovich & artist Krista Dragomer have been collaborating since 2011. Their work blends a range of graphic  & textual elements, experimenting with storytelling and poiesis where formal boundaries erode. 

Their projects explore mutual interests in a host of questions that arise with the breakdown and degradation of this phenomenon we call "nature": questions about sex, gender, and bodies; questions about production, reproduction, and waste; questions about animality, machine life, and the strange creatures who refuse categorization as either. Their work straddles the affective extremes that arise in the wake of these questions, hovering somewhere between horror and utopia.

Their work has been published in Trip City and Killing the Buddha and has been exhibited at Proteus Gowanus and Field Projects. They have involved other collaborators, such as Rashin Fahandej and Aeric Merideth-Goujon. You can download their collaborative c.v. here.
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"The Open" at Trip City: A journey through a futuristic earthscape, where the lines between the digital and the biological have collapsed.
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"Animal Altars" at Killing the Buddha: On fur, fashion, and the flesh of the living dead.